{"id":1820,"date":"2020-09-13T21:06:01","date_gmt":"2020-09-13T21:06:01","guid":{"rendered":"http:\/\/ilanmoskovitch.com\/?page_id=1820"},"modified":"2020-11-24T18:30:03","modified_gmt":"2020-11-24T18:30:03","slug":"yirmiyahu-2","status":"publish","type":"page","link":"http:\/\/ilanmoskovitch.com\/?page_id=1820","title":{"rendered":"Disengagement"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1404px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_2_3 2_3 fusion-flex-column fusion-animated\" data-animationType=\"fadeInRight\" data-animationDuration=\"1.0\" data-animationOffset=\"100%\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h1>Disengagement<\/h1>\n<p>A political drama centered around Israel&#8217;s pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter.<\/p>\n<p>Forced Israeli evictions from the Gaza Strip yield tremendous personal strife for a pair of cross-cultural lovers in Disengagement, director Amos Gitai&#8217;s meditation on the complex relationship between interpersonal and national politics in the Middle East. Juliette Binoche stars as Ana, a woman of mixed Dutch and Palestinian origin residing in Avignon, where her biological father has just died. Newly arrived in town is her adoptive brother, the Franco-Israeli Uli (Liron Levo), with whom Ana shares a relationship so passionate that it consistently transgresses sibling boundaries. While Uli comes to terms with his foster father&#8217;s passing and prepares for an upcoming work assignment that involves aggressively shuttling Israeli settlers out of Gaza, Ana visits her father&#8217;s attorney (French screen legend Jeanne Moreau), takes the steps to end her unfulfilling marriage, and hopes to make contact with her long-abandoned daughter, currently residing in the Israeli settlement of Gaza. To achieve this goal, Ana insists on accompanying Uli during his trip &#8212; but doesn&#8217;t count on numerous complications that arise, including a forced separation from Uli and lengthy travels with the settlers themselves, who have grown doggedly certain that God would never allow their geographic displacement to occur.<\/p>\n<p>Cast: Juliette Binoche, Liron Levo, Jeanne Moreau, Barbara Hendricks, Dana Ivgy, Hiam Abbass, Tomer Russo, Israel Katorza, Yussuf Abu Warda, Uri Klauzner.<\/p>\n<p>Director: Amos Gitai <br \/>Screenplay:\u00a0Amos Gitai, Marie-Jos\u00e9 Sanselme.<br \/>Cinematography:\u00a0Christian Berger.<br \/>Editing:\u00a0Isabelle Ingold.<br \/>Casting\u00a0director: Ilan Moskovitch.<br \/>sound:\u00a0Michel Kharat.<br \/>Music:\u00a0Simon Stockhausen.<br \/>Production design:\u00a0Eli Zion, Manu de Chauvigny, Tim Panen.<br \/>Costumes:Mo\u00efra Douguet<br \/>Line producer(s)\u00a0Gadi Levy, Fabrice Chevrollier, Isabelle Gattiker, Viola Fuegen.<br \/>Production\u00a0Agav Films, Pandora Film Produktion, Agat Films &amp; Cie, Hamon Hafakot, R&amp;C Produzioni, Intereurop, Arte France Cin\u00e9ma.<br \/>Producer(s)\u00a0Amos Gitai, Laurent Truchot.<br \/>Co-Producer(s)\u00a0Michael Tapuach, Christoph Friedel, Claudia Steffen, Patrick Sobelman, Tilde Corsi.<br \/>Associate Producer(s)\u00a0Moshe Edery, Leon Edery, Marc Bordure, Richard Lormand.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:1px;margin-bottom:1px;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"border-color:rgba(226,226,226,0.1);border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:66.666666666667% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.88%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 14.4%;}@media only screen and (max-width:900px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 5.76%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;margin-bottom : 30px;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_3 1_3 fusion-flex-column fusion-animated\" data-animationType=\"fadeInUp\" data-animationDuration=\"1.0\" data-animationOffset=\"100%\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left 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0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1828,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":[],"_links":{"self":[{"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/pages\/1820"}],"collection":[{"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1820"}],"version-history":[{"count":4,"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/pages\/1820\/revisions"}],"predecessor-version":[{"id":2009,"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/pages\/1820\/revisions\/2009"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=\/wp\/v2\/media\/1828"}],"wp:attachment":[{"href":"http:\/\/ilanmoskovitch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}