{"id":1886,"date":"2020-09-14T04:37:07","date_gmt":"2020-09-14T04:37:07","guid":{"rendered":"http:\/\/ilanmoskovitch.com\/?page_id=1886"},"modified":"2020-09-14T04:37:07","modified_gmt":"2020-09-14T04:37:07","slug":"the-arena-of-murder","status":"publish","type":"page","link":"http:\/\/ilanmoskovitch.com\/?page_id=1886","title":{"rendered":"The Arena of Murder"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1404px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_2_3 2_3 fusion-flex-column fusion-animated\" data-animationType=\"fadeInRight\" data-animationDuration=\"1.0\" data-animationOffset=\"100%\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h1 class=\"\">The Arena of Murder<\/h1>\n<p>Three weeks after the assassination of Yitzhak Rabin in November 1995, Amos Gitai investigates the traces of the event. He travels through the country for three months; memories of wars and peace take form through numerous encounters.<\/p>\n<p>&#8220;The film borrows from all forms of cinema, investigative documentary, autobiographical film, road movie, rock movie, and is finally satisfied with none. And yet, at the heart of this fragmented approach, this cinematic mausoleum finds its coherence, gradually weaving the threads of a dialogue between the dead man and all those places and people that Gitai convokes in his mental arena.&#8221;<br \/>\nLaurent Roth, Cahiers du Cin\u00e9ma, June 1996<\/p>\n<div>\n<p><span class=\"x1 x5 x6\">Cast<\/span>\u00a0Aviv Geffen, Efratia Gitai, Avner Hacohen, Uri Simchoni, L\u00e9a Rabin\u00a0<span class=\"x1 x5 x6\">Cinematography<\/span>\u00a0Jorge Gurevitch, Ariel Semmel, Jean-Paul Toraille\u00a0<span class=\"x1 x5 x6\">Sound<\/span>\u00a0Sam Cohen\u00a0<span class=\"x1 x5 x6\">Editing<\/span>\u00a0Oren Medics\u00a0<span class=\"x1 x5 x6\">Music<\/span>\u00a0Simon Stockhausen\u00a0<span class=\"x1 x5 x6\">Production<\/span>\u00a0Agav Films\u00a0<span class=\"x1 x5 x6\">Producer(s)<\/span>\u00a0Ilan Moscovitch, Amos Gitai<\/p>\n<\/div>\n<div class=\"d1\">\n<div class=\"x1 x5 x6\">Festivals<\/div>\n<p>Venice : Biennale di Venezia \/ Mostra d&#8217;arte cinematografica 1996 &#8211; Out-of-competition<br \/>\nLocarno : Festival internazionale del film 1996 &#8211; Out-of-competition (Filmmakers of the Present)<br \/>\nRotterdam International Film Festival 1997<\/p>\n<\/div>\n<dl class=\"margin-top movie-info\">\n<dd class=\"award\"><\/dd>\n<\/dl>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:1px;margin-bottom:1px;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"border-color:rgba(226,226,226,0.1);border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:66.666666666667% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 2.88%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 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